![]() ![]() The "canon obusier de 12 livres" is commonly described as a "12-pounder" in English, although the nominal rating was based on a slightly different measure - the bore is the size of a solid cast-iron ball weighing 12 livres (old French pounds, about 1.079 English pounds.) As with other cannon rated by nominal weight, the projectile actually used might be of a different weight. This was an improvement over previous cannon firing only balls, such as those of the Gribeauval system. The "canon obusier" was a smoothbore cannon firing either shells, balls, or canister. The cannon was known in the United States as the 12-pounder Napoleon after French President and Emperor Napoleon III. Its performance and versatility (it was able to fire either ball, shell, canister or grapeshot) allowed it to replace all the previous field guns, especially the Canon de 8 and the Canon de 12 as well as the two howitzers of the Valée system. The Canon obusier de 12 (officially the "Canon obusier de campagne de 12 livres, modèle 1853"), also known as the "Canon de l’Empereur" ("emperor's cannon"), was a type of canon-obusier (literally "shell-gun cannon", " gun-howitzer") developed by France in 1853. While technical limitations prevented Brady's team from capturing images in movement, the team's photography paint a picture of the horrors of war.Canon obusier de campagne de 12 modèle 1853 on display in Les Invalides.įrance, United States, Confederate States of America with assistants, Brady himself came under direct fire at several battle fields, including Bull Run.īrady's Civil War documentation showed life at camp, as well as battle sites. Though he mainly stayed in Washington, D.C. More than 20 men were deployed into the field with traveling darkrooms, though final prints were always published under the Brady name. Lincoln granted his wish in 1861, with the stipulation that he fund the trip himself.īrady dove headfirst into the war documentation, pulling together a team of field photographers to help him photograph the Civil War. Taken with the idea of documenting the war first hand, he applied to President Lincoln for permission to travel to battle sites. Though he continued taking portraits of important figures throughout the war, photographing senior officers on both the Union and Confederate sides, his focus soon shifted. We take a look at his career and contributions both to the history of photography, as well as the preservation of American history. Though he may not have shot all the photographs himself-Brady hired a large team of field photographers-there is no doubt that his Civil War photos have become an iconic part of American history. Today we recognize Mathew Brady as a fundamental figure in war photography. ![]() ![]() He eventually sold his work to Congress for just $25,000 but remained deeply in debt at the time of his death in 1895. He spent over $100,000 funding his project to document the American Civil War, producing over 10,000 plates that form the basis of Civil War photography. A man who invested-both personally and monetarily-in his work, Brady was riddled with debt at the end of his life. In fact, the photograph of Abraham Lincoln on the $5 bill is by Brady. He is also responsible for shooting portraits of some of the great historical figures of his time. But Brady didn't only help shape the course of war photography. ![]()
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